Legendary band Three Dog Night has been a cornerstone of popular music for over six decades. With timeless hits like “Mama Told Me (Not To Come),” “Joy to the World,” “Black and White,” “Shambala,” and “One,” their music remains a cultural staple. Founded by Danny Hutton in 1968, the band continues to delight multi-generational audiences with over 90 shows annually at theaters, festivals, and casinos. Known for recording songs by groundbreaking songwriters like Harry Nilsson, Elton John, and Randy Newman, their unique sound bridges generations. With new material on the way and over 3,000 performances since 1986-including two Super Bowls-Three Dog Night’s legacy continues to thrive.
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“I chose to survive,” Melissa Etheridge sings on “Being Alive,” the powerful, exuberant opening song of the Academy Award and Grammy Award winning artist’s 17th studio album, Rise. She then takes a pause, the flurry of her guitar and her bandmates’ boisterous sounds fading out, before she practically shouts, with unbridled joy: “God I love being alive! “The words say so much. But in that pause — just a few seconds long — it’s as if she’s looking at everything that has happened in her life in the time since she last released an album of new material, 2019’s The Medicine Show, and with it everything that is to come on this remarkable, emotional mosaic of songs. And it’s a lot. Co-produced by Etheridge and Shooter Jennings (whose production credits include Brandi Carlisle, Tanya Tucker, Charlie Crockett and, of course, his father Waylon Jennings) and featuring her sharp band of guitarist and keyboard player Max Hart, drummer Eric Gardner and bassist Erik Kertes, Rise soars as an intimate and richly realized collection. At turns it’s celebratory and playful, as in the explosive “Don’t You Want a Woman” (picked as the official rally song of the Kansas City Current professional women’s soccer team) and “Tomboy” (reclaiming the term as a badge of pride), both punctuated by Etheridge’s hearty laugh. There’s “Matches,” a frisky ode to the guitars that sparked her musical passion as a kid, steeped in the spirit of childhood hero Johnny Cash. There’s the lusty honky-tonker “Davina,” its singalong chorus sounding as if it could have been recorded in a raucous saloon. And there’s “If You Ever Leave Me,” which starts with Etheridge cruising down Melrose in the ’80s after first arriving in L.A., but goes on to glory in her marriage with Linda Wallem. “If you ever leave me, I’m coming too,” she sings, with another burst of laughter. At others it’s contemplative, most profoundly and movingly in “Call You,” her deeply affecting account of living in the wake of the opioid death of her son, Beckett, in 2021. In it she looks deep in her soul and cherishes the strengthening embrace of family, friends and community. This also filters through “The Other Side of Blue,” a light-in-the darkness anthem co-written and co-sung with Chris Stapleton. And at the end of the album she shines in the warmth of “More Love,” written for and sung at her daughter Bailey’s wedding last fall. Ultimately, it’s an album of acceptance and resilience.